Question 1
personification · core
Roof orchestra
Tick, tick, tip:
Rain tries the roof with a fingertip.
Tap, tap, tum:
Now every drain is a silver drum.
Hush, hush, hum:
The storm packs up; the stars will come.
Which phrase gives rain a human action?
- “silver drum”.
- “Rain tries the roof with a fingertip.”
- “the stars”.
- “every drain”.
VC2E4LE02 · VC2E4LE04
Question 2
metaphor · core
Use the text at Question 1.
What does calling a drain a “silver drum” emphasise?
- The absence of all sound.
- The exact cost of the roof.
- The rhythmic sound and shining appearance of rainwater.
- The fact that every drain contains a musical instrument.
VC2E4LE02 · VC2E4LE04
Question 3
sound pattern · core
Use the text at Question 1.
How does the sound change over the poem?
- Gentle tapping grows stronger, then becomes quiet.
- A loud storm remains equally loud throughout.
- Traffic noises replace birdsong.
- The poem begins and ends in complete silence.
VC2E4LE02 · VC2E4LE04
Question 4
repetition · core
Use the text at Question 1.
What is the effect of repeating each first word?
- It removes the need to imagine sound.
- It makes the speaker change to a new person.
- It supplies the poem's publication date.
- It gives the lines a repeated beat like raindrops.
VC2E4LE02 · VC2E4LE04
Question 5
rhyme · support
Use the text at Question 1.
Which pair forms an end rhyme?
- “silver” and “packs”.
- “roof” and “stars”.
- “rain” and “come”.
- “tip” and “fingertip”.
VC2E4LE02 · VC2E4LE04
Question 6
extended image · extension
Use the text at Question 1.
What does “The storm packs up” suggest?
- The storm is ending like a performer leaving after a show.
- The rain is putting schoolbooks in a bag.
- The roof is being removed.
- The stars are causing a louder storm.
VC2E4LE02 · VC2E4LE04
Question 7
close reading · support
One glove
On the fence,
one small glove waves
at everyone who passes.
Yesterday it held a hand.
Today it holds
the shape of a hand,
and a little rain.
I turn it over
so the thumb points home.
What ordinary object does the poem focus on?
- A bird in a raincoat.
- A painted map of a town.
- A flag on a tall ship.
- A lost glove on a fence.
VC2E4LE02 · VC2E4LE04
Question 8
personification · core
Use the text at Question 7.
What does “waves” make the glove seem like?
- A person trying to attract attention.
- A piece of heavy machinery.
- A boat making ripples.
- A cloud covering the sun.
VC2E4LE02 · VC2E4LE04
Question 9
contrast · core
Use the text at Question 7.
Why is “Yesterday” contrasted with “Today”?
- To explain when the fence was built.
- To show the change from being worn to being left behind.
- To provide a complete weekly timetable.
- To show that the glove changes colour daily.
VC2E4LE02 · VC2E4LE04
Question 10
inference about speaker · core
Use the text at Question 7.
What might turning the thumb towards home suggest about the speaker?
- The speaker imagines helping the glove find its owner.
- The speaker is measuring the fence.
- The speaker believes gloves can read street signs.
- The speaker wants to hide the glove forever.
VC2E4LE02 · VC2E4LE04
Question 11
poetic structure · core
Use the text at Question 7.
How do the short lines affect the reading?
- They guarantee every word is shouted.
- They make the poem a set of numbered instructions.
- They force the reader to ignore the last image.
- They encourage attention to small details and pauses.
VC2E4LE02 · VC2E4LE04
Question 12
evidence for a response · core
Use the text at Question 7.
Which response is supported by the poem?
- The glove feels a little lonely because it is separated from its hand.
- The poem says the glove is made from silver.
- The speaker is angry because every glove is wet.
- The poem proves its owner deliberately discarded it.
VC2E4LE02 · VC2E4LE04
Question 13
shared literary features · core
Two original tiny tales
A — The boastful lantern: A lantern boasted that its light reached farther than any candle. When the wind rose, its loose door swung open and its flame went out. A candle inside a jar kept burning. “A strong cover matters too,” said the candle.
B — The patient seed: A seed watched a paper flower being admired on the windowsill. “You bloom so quickly,” it sighed. Day after day the seed pushed a root into the soil. When the paper flower faded in the sun, the seedling opened its first living leaf. Neither could do what the other could do.
What feature do the tales share?
- Non-human things speak or think like people.
- Both give exact measurements of plants.
- Both take place on a sailing ship.
- The same child narrates both stories.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 14
theme · core
Use the text at Question 13.
Which idea is most clearly explored in Tale A?
- Candles must never be protected.
- Doors should never be closed.
- Boasting can overlook an important weakness.
- Brightness always defeats wind.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 15
theme · core
Use the text at Question 13.
Which idea is most clearly explored in Tale B?
- Different things have different strengths and develop in different ways.
- A paper flower will eventually grow real roots.
- Nothing good ever takes time.
- Seeds should try to become paper.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 16
comparing structures · core
Use the text at Question 13.
How are the endings different?
- A has no outcome while B gives instructions.
- Both end with exactly the same sentence.
- A ends with a race; B ends with an argument.
- A gives spoken advice; B offers a balanced observation.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 17
cause in a plot · core
Use the text at Question 13.
Which detail creates a problem for the lantern?
- Its door is loose when the wind rises.
- Its cover is stronger than the jar.
- It has never seen a candle.
- It stands on the windowsill beside the seed.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 18
source awareness · core
Use the text at Question 13.
Why does the passage label these stories “original”?
- Every story about an object is a historical document.
- They are newly written classroom tales, not attributed cultural or traditional stories.
- They are copied from the same named author.
- They must both be true events.
VC2E4LE02 · VC2E4LE03 · VC2E4LE04
Question 19
literary devices and wordplay · core
The river said, “I save all my water between my banks.”
Which two meanings create the wordplay?
- A boat and its sail.
- A river's source and its mouth.
- Water and ice.
- River edges and places that hold savings.
VC2E4LE04
Question 20
literary devices and wordplay · core
The tree opened a new office. It called it a branch.
Why is “branch” playful here?
- It means the same as a tree's roots only.
- It is a word with no ordinary meaning.
- It can only describe a paper envelope.
- It can mean part of a tree or part of an organisation.
VC2E4LE04
Question 21
literary devices and wordplay · core
Five fluffy feathers floated past the fence.
What creates the strongest sound pattern?
- Several nearby words begin with the same f sound.
- Every word describes a different colour.
- All the words rhyme with fence.
- Every word has exactly five letters.
VC2E4LE04
Question 22
literary devices and wordplay · core
The old bus coughed like a sleepy giant.
What does the comparison help a reader imagine?
- A literal giant sitting in the bus.
- A silent bicycle moving quickly.
- A large, slow, uneven engine sound.
- A bus that has become very small.
VC2E4LE04
Question 23
literary devices and wordplay · core
At sunset, the windows were squares of honey.
What is the metaphor mainly suggesting?
- The glass had been replaced with actual honey.
- The house was falling apart.
- Bees had built every window.
- The windows glowed with a warm golden colour.
VC2E4LE04
Question 24
literary devices and wordplay · core
Plop! A pebble broke the pond's smooth face.
What does “Plop!” contribute?
- The name of the person throwing.
- The exact depth of the pond.
- A word that imitates the sound of the pebble entering water.
- An instruction to leave immediately.
VC2E4LE04
Question 25
literary devices and wordplay · core
Recipe for a terrible sandwich: First, butter the plate. Next, put the bread in your pocket. Finally, serve the empty knife.
How does the passage create humour?
- It carefully teaches a useful sandwich recipe.
- It uses the structure of instructions but gives absurd actions.
- It changes every sentence into a question.
- It contains no action words.
VC2E4LE04
Question 26
literary devices and wordplay · core
“I saw the child with the telescope,” said Mo.
Why could a writer use this sentence for a misunderstanding in a story?
- It means the child is invisible.
- It proves both characters own telescopes.
- It could mean Mo used a telescope or the child had one.
- It has no verb.
VC2E4LE04
Question 27
literary devices and wordplay · core
Slow steps. Long hill. / Stop. Breathe. Climb still.
How do the short groups of words affect the rhythm?
- They sound like one long uninterrupted speech.
- They provide the hill's exact height.
- They suggest effort and pauses while climbing.
- They show the walker running effortlessly.
VC2E4LE04
Question 28
literary devices and wordplay · core
The tiny captain gave an enormous sneeze.
Which contrast helps create the comic image?
- “tiny” and “enormous”.
- “captain” and “gave”.
- “gave” and “sneeze”.
- “the” and “an”.
VC2E4LE04
Question 29
literary devices and wordplay · core
When the teacher said to keep an eye on the clock, the story's robot drew an eye on its face.
What makes the robot's response funny?
- It treats an expression meaning “watch” as a literal instruction.
- It refuses to look at the time.
- It knows every expression perfectly.
- It turns a statement into a song.
VC2E4LE04
Question 30
literary devices and wordplay · core
Each verse of a travelling poem ends, “And still the road rolls on.”
What could this repeated line help convey?
- A continuing journey that links the verses.
- The exact width of the road.
- The end of all movement after the first verse.
- A new narrator in every word.
VC2E4LE04
Question 31
poetic sound · core
Perform aloud for a teacher or adult, then discuss the effect.
Use the text at Question 1.
Read the poem aloud twice: first with no variation, then with a changing beat and volume. Explain which version better supports the storm's journey and why.
Complete the task aloud with an adult or partner.
What to aim for- Performs both versions.
- Links voice changes to words in the poem.
- Explains an effect on the listener.
Response or adult observation notes:
VC2E4LE04 · VC2E4LY02
Question 32
responding to imagery · core
Use the text at Question 7.
Choose an image that affects you. Explain your response using the words of that image rather than just saying the poem is nice or sad.
What to aim for- Selects a specific image.
- Names a response or feeling.
- Explains how the language creates it.
Response or adult observation notes:
VC2E4LE02 · VC2E4LE04
Question 33
creating a sound poem · core
Use the text at Question 1.
Write a six-line poem about a different changing sound, such as a train arriving or popcorn cooking. Use repetition and at least one sound word.
What to aim for- Writes six lines about an original sound sequence.
- Uses purposeful repetition and at least one sound word.
- Makes the sound change through the poem.
Response or adult observation notes:
VC2E4LE04 · VC2E4LE05
Question 34
creating imagery · core
Use the text at Question 7.
Write a short poem about a forgotten everyday object. Give the object one human action and end with a small act of care.
What to aim for- Uses a new object and setting.
- Includes purposeful personification.
- Ends with a relevant action or image.
Response or adult observation notes:
VC2E4LE04 · VC2E4LE05
Question 35
creating wordplay · extension
A tree's extra office could be called a branch. This joke uses two meanings of the same word.
Create a two- or three-sentence joke using two meanings of “trunk”, “bark” or “light”. Then explain both meanings.
What to aim for- Uses two real meanings of the chosen word.
- Builds an understandable playful situation.
- Explains both meanings accurately.
Response or adult observation notes:
VC2E4LE04 · VC2E4LE05